SICILY. Syracuse. Dionysios I, 405-367 BC. Dekadrachm (Silver, 35 mm, 42.74 g, 4 h), reverse die signed by Euainetos, circa 405-400. Charioteer driving quadriga galloping to left, holding kentron in his right hand and reins in his left; above, Nike flying right, crowning the charioteer with a wreath; in exergue, on two slightly raised lines, shield, pair of greaves, cuirass and crested Attic helmet; below, [ΑΘΛΑ]. Rev. ΣΥ-ΡΑ-Κ-ΟΣ-ΙΩΝ Head of Arethousa to left, wearing wreath of reeds, triple-pendant earring and pearl necklace; around, four dolphins; below the dolphin swimming under Arethousa's neck, signature [ΕΥ-ΑΙΝΕ]. Boston MFA 421 (same dies). De Luynes 1248 (same dies). Dewing 876-8 (same dies). Gallatin R.III/C.II. HGC 2, 1299. Rizzo pl. LIV, 8 (same dies). SNG ANS 363 (same dies). SNG Copenhagen 689 (same dies). Beautifully toned and well struck from masterful dies crafted by the illustrious Euainetos. Minor traces of corrosion and with very light doubling on the obverse, otherwise, good very fine.

The Syracusan dekadrachms of the late 5th century BC arguably represent the pinnacle of ancient Greek die engraving. Created during the early tyranny of Dionysios I, these masterpieces reflect the artistic rivalry between the great engravers of the era, particularly Euainetos and Kimon. Their works exhibit distinct stylistic differences: Euainetos' designs are characterized by elegance and fluidity, while Kimon's compositions exude a more austere and structured grandeur. Struck on large flans exceeding 40 grams, these dekadrachms are among the largest and most impressive silver coins of antiquity, adding to their desirability among collectors. The influence of these artists extended far beyond Syracuse, shaping the numismatic art of Sicily, Magna Graecia and the world beyond. Even in antiquity, these coins were widely admired and imitated, and they have remained highly coveted since the Renaissance, celebrated as some of the finest examples of classical coinage